Alessandro Peretti, the Cardinal Montalto, commissioned this impressive sculpture for the garden of his Villa in Rome. It formed the centre piece of a larger display of fountains and cascades, above a series of waterfalls that flowed into a large oval pond. Bernini was one of the most gifted and influential sculptors of the 17th century. He carved ‘Neptune and Triton’ within a year, between 1622 and 1623. In classical mythology Neptune was the god of the seas and his son Triton was a merman. Neptune stands tall bearing his trident, while Triton sits beneath him blowing through a conch shell. Originally the conch shell projected a single jet of water, and the piping still remains inside. Neptune and Triton are portrayed with great exuberance, as though they are commanding the seas, which would have been represented by the pond.
This scene may represent the mythological story from Ovid’s Metamoprhosis, Book 1. In the story Jupiter, the King of the Gods in Roman mythology becomes enraged with humanity and considers scorching the earth with fire. He decides to flood the world instead, and asks his brother Neptune to help. Neptune commands the seas and the river gods to flood the world. All the world is flooded except for two people who stand on a mountain peak. Jupiter regrets his decision and calls the seas back to spare their lives. Neptune orders Triton to blow his conch shell into the winds to summon the waters to retreat.
The British Museum collection began with the intellectual curiosity of an Irish doctor called Sir Hans Sloane. He began collecting when he was working in Jamaica, as a physician to the governor. He returned to London in 1689 and continued collecting. He was a very wealthy and successful doctor. His patients included the diarist Samuel Pepys and Queen Anne. Soon his house in Bloomsbury place was overflowing with ‘plants, fossils, minerals, zoological, anatomical and pathological specimens, antiquities …prints, drawings and coins, books and manuscripts.’ His collecting got so out of control that he had to buy the house next door. When that house was full he moved to a new house in Chelsea!
He collected strange and wonderful objects, such as a landscape painted in a spider’s web, and monstrous stones removed from the bladder of a horse. In spite of all of this there was some order to his collecting. You can see in the Enlightenment gallery the types of classification that were used in the intellectual flowering that was the Enlightenment period; such as natural history, religion etc. When Hans Sloane died his collection of 80,000 objects was acquired by the British government for the sum of £20,000.
Horace Walpole, one of the trustees of the British Museum said, ‘You will scarce guess how I employ my time. Chiefly at present in the guardianship of embryos and cockleshells. Sir Hans Sloane is dead and has made me one of the trustees of the museum…He valued it at four score thousand and so would anybody who loves hippopotamuses, sharks with one ear and spiders as big as geese!’ The British Museum at Montagu House opened its doors to the public in 1759.